Elaine Whittaker

elainetwhittaker@gmail.com

www.etwhittaker.com

Solo/Collaborative Exhibits

2010 (in)trepid cultures, Red Head Gallery, Toronto
  Spontaneous Generation, Yukon Arts Centre Public Art Gallery, Whitehorse
2009 Tether, Red Head Gallery, Toronto
UpArt: "Cases", Gladstone Hotel, Toronto collaboration with Red Head artists
2007 Spontaneous Generation, Red Head Gallery, Toronto
Miasma & Les Trois Manques, Ont. Public Health Association Conference, Toronto
2006 Dreadful Visitations, Red Head Gallery, Toronto
2005 After, Gallery 1313, Toronto
2003 Assay, Shared Habitat 2: Festival of Art & Science, with Claudia Wittmann & Richard Mandin, Dufferin Street Space, Toronto
Threshold, The Other Gallery, Banff Centre for the Arts, Alberta
Cloneology, Members Wall, Gallery 44, Toronto
Salt Works, Kunstraum Innsbruck, Innsbruck, Austria
2002 Microbial Passage, Gallery 1313, Toronto
2001 No Lifeguard on Duty, Propeller Centre, Toronto

Selected Juried & Invitational Exhibits

2010 Red Dot Show, Curator: Gil McElroy, Red Head Gallery, Toronto
2009 Red Dot, Curator: Anastasia Hare, Red Head Gallery, Toronto
Deviant Detours, Kunsthaus Santa Fe, San Miguel de Allende, Mexico
Spring Group Exhibit, Curator: Rui Pimento, Median Gallery, Toronto
2008 Celebrate 10 Years, Curator: Kathyn Hogg, Gallery 1313, Toronto
Forest for the Trees, St. Francis Xavier Univ. Art Gallery, Antigonish, Nova Scotia
2007 Allegories of the Genome, Curator: Holly Longstaff, Outworks Gallery, Winnipeg
and Vancouver, B.C., online gallery www.genonmic-art.com
All Media, Contemporary Art Institute of Detroit, Michigan
Forest for the Trees, Il Gabbiano, La Spezia, Italy
2006 Quadratic, Curator: Don Monet, Cube Gallery, Ottawa
Forest for the Trees, Lonsdale Gallery, Toronto
The 0.7% Show, Curator: Antonia Lancaster, Propeller Centre, Toronto
Prima Materia, McMaster Museum of Art, Hamilton
2005 Work Space, Curator: Mark Schilling, Red Head Gallery, Toronto
Consequences, Contact ‘05, Gallery 1313, Toronto
2004 Ex Pluribus Unum, John B. Aird Gallery, Sculptors Society of Canada, Toronto
Photopolis, Contact ‘04, Gallery 1313, Toronto
2003 I’m Thirsty, Curator: Nicola Woods, Propeller Centre, Toronto
Wet, Curator: Phil Anderson, Gallery 1313, Toronto
Water, Canadian Sculpture Centre, Toronto
2002 Ten More, Gallery 1313, Toronto
New X-Change, Canadian Sculpture Centre, Toronto
Specimen, Connective Tissue Artist Collective, Gallery 1313, Toronto
Boundaries, Contact ‘02, Gallery 1313, Toronto
2001 Everything Must Go, Contact ‘01, Gallery 1313, Toronto
Illume, Propeller Centre, Toronto
2000 Lamentable Expedients, Curator: Donald Brackett, Propeller Centre, Toronto
Persona Propeller, Curator: Napoleon Brousseau, Propeller Centre, Toronto
Collision, Curators: V. MacDonnell, S. Rockwell, & L. Van Pelt, Gallery 1313, Toronto
1999 The Art of Darkness, Banff Centre for the Arts, Alberta
Emerging Sculptors, John B. Aird Gallery, Sculptors Society of Canada, Toronto
Mitosis, Connective Tissue Artist Collective, Sub-Zero Gallery, Toronto
Environmental Art Exhibit, Broken Fence Society, Polson Pier, Toronto
Sacred Earth, Ontario Society of Artists, John B. Aird Gallery, Toronto
1998 Connective Tissue, Connective Tissue Artist Collective, Gallery 401, Toronto

Curatorial Projects

2005 Lakeside: Art Looks at Toronto’s Beaches, Gallery 1313, Toronto. Co-curated with David Liss, Phil Anderson, and Shelley Petrie
Pixelware: A Sublime Forgery, Gallery 44, Toronto/Dazibao, Montreal. Co-curated with Sara Angelucci, France Choiniere and Marisa Portolese.

Awards/Grants

2010 Ontario Arts Council – exhibition assistance grant
2009 Canada Council for the Arts – research/creation grant
2007 Ontario Arts Council – creation/production grant
2006 Ontario Arts Council - exhibition assistance grant
2003 Banff Centre for the Arts, Alberta -residency assistance grant
2001 Toronto Arts Council - creation/production grant
2000 Canada Council for the Arts - creation/production grant
1999 Banff Centre for the Arts, Alberta - residency assistance grant
1998 Toronto Arts Council - project grant (with Connective Tissue Artist Collective)

Education/Workshops/Residencies

2007 Tissue Engineering Workshop, SymbioticA/Subtle Technologies Festival, Toronto
2001 Toronto School of Art: Diploma, Sculpture, drawing, painting, photography
2003 Banff Centre for the Arts, Alberta – New Works thematic residency
1999 Banff Centre for the Arts, Alberta – Surface thematic residency
1998 York University, Toronto: Bachelor of Fine Arts, Sculpture & Installation
1982 Carleton University, Ottawa: Bachelor of Arts, Anthropology

Presentations

2007 President’s Reception, Ont. Public Health Association Conference
2003 Salt Works, Kunstraum Innsbruck, Innsbruck, Austria
2002 Symposium, Shared Habitat 2, Festival of Art & Science
Material Arts class, Ontario College of Art & Design, Toronto
New X-Change, Canadian Sculpture Centre, Toronto

Reviews/Interviews

2010 Talia Dudin, (in)trepid cultures, TV interview on Art Sync www.art-sync.ca/opening-elaine-whittaker
Patrick Connors, (in)trepid cultures: Exceptional Art http://newz4u.net/?p=3491
Matthew Purvis, (in)trepid cultures, blogTO.com
2009 Gary Michael Dault, Tether, Globe & Mail, June
2007 Ruth Roach Pierson, Dreadful Visitations, MIX, 32.2
2006Ministry of Health & Long Term Care, Awareness-Beyond the Traditional, The Pandemic Planner, October
Peter Goddard, Dreadful Visitations: Art Meets Mad Cow, Toronto Star, July
N. Cormier & S. Frater, Everyday Alchemy, Prima Materia brochure essay
2009 Gary Michael Dault, Tether, Review Globe & Mail, June 2009
  Ruth Roach Pierson, Tether, brochure essay
2007 Ruth Roach Pierson, Dreadful Visitations, MIX, 32.2
  Ruth Roach Pierson, Spontaneous Generation, brochure essay
2006 Ministry of Health & Long Term Care, Awareness-Beyond the Traditional, The Pandemic Planner, October
Suzanne Robinson, Dreadful Visitations, brochure essay
Peter Goddard, Dreadful Visitations: Art Meets Mad Cow, Toronto Star, July
N. Cormier & S. Frater, Everyday Alchemy, Prima Materia brochure essay
2005 Jen Gerson, Life’s a Beach-full of Flotsam, Globe & Mail, July, 2005
Gary Michael Dault, Life’s a Beach and then you Exhibit, Globe & Mail, July
2003 Susan Walker, Toeing the Biology Line, Toronto Star, June 19
Kathleen M. Smith, Dance and Biology, The Dance Current, June
2002 Jennifer March, The Art of Science? Green Banana, Summer
Charles Hackbarth, A Fine Specimen Indeed, Artery, Spring
2000 Charles Hackbarth, Collision: A Show with Impact, Artery, Spring
1999 Hana Haska, 125 salon otwarty OSA Sacred Earth, Glos Polski, Nr.18

Publications

2009 Regreen, Ruth Roach Pierson, Your Scrivener Press, poem, A Scree of Crystalline Blisters, inspired by Ablation (artwork in Spontaneous Generation)
2007 "Aide-Mémoire", Ruth Roach Pierson, BuschekBooks, poem, A Thin Blue Line, inspired by Miasma
2005 Relay, Lakeside: Art Looks at Toronto’s Beaches, no.7, Sept./Oct.
Surface & Symbol, Lakeside: Art Looks at Toronto’s Beaches, Summer
2004 Relay, Art and the Sleeping Giant, no. 2
2003 Tessera, Blood, Volume 33-34, Women’s Press, Toronto: artwork images/text.
2002 Fireweed, Biotechnology and Cloning, no. 78, Fireweed Collective, Toronto: artwork images/text.
This Magazine, March/April, Vol.35, No.5: artwork images accompany article by Lisa Murphy, It’s the Carcinogens, Stupid.
Where No Window Was, Ruth Roach Pierson, BuschekBooks, cover photograph.
2000 Lamentable Expedients, Propeller Centre for the Visual Arts, Toronto: brochure.

Professional Activities & Memberships

The Red Head Gallery, Toronto
Toronto Art Science Salon
Art & Science Collaborations Inc., New York
BioArt Toronto
Biosis Collective, Toronto
The Hot Flash Collective, Toronto
A Space Gallery, Toronto
Visual Arts Ontario
Canadian Artists Representation Ontario, Toronto
Art Gallery of Ontario, Toronto
Toronto Environmental Alliance

Representation

The Red Head Gallery
401 Richmond Street W., Suite. 115
Toronto, ON
M5V 3A8
416-504-5654
art@redheadgallery.org
www.redheadgallery.org